Other projects 
Main project 

Clock minis
Ceramics, 2026
11.5cm x 11.5cm x 5cm



Kairos clocks
Ceramics, 2026
38cm x 15cm x 26cm




Chronos clock 
Ceramics, 2026
38cm x 15cm x 26cm


This collection of ceramic clocks is born from an inquiry into the dual nature of time. While Chronos dictates the sequential, chronological ticking of our daily schedules, the ancient Greek concept of Kairos signifies a qualitative moment—an indeterminate "deep time" where an event of significance occurs. For me, the studio is a vessel for Kairos. The rhythmic act of designing and building clay forms suspends the boundary between past and future, pulling me into a holistic, flexible state of being completely present.

This collection is heavily informed by historical cross-cultural exchange, specifically the design dialogue between Europe and China through historical trade. Inspired by the timelessness of vintage and mid-century timepieces, I am fascinated by how these distinct aesthetic traditions merged to create objects of enduring beauty and exceptional craftsmanship. Reflecting my own lived experience navigating both Eastern and Western cultures as a Chinese-Canadian artist, this work becomes a physical exploration of these intertwined everyday philosophies.

Sketchbook
                                  2026

The translation from theory to object begins with rigorous observation and historical research, followed by an iterative design process of sketching, physical prototyping, and sample-making. Hand-crafted from stoneware and porcelain, the final timepieces are structured with rich, layered textures. This intentional surface treatment reflects an imagery of "layers of complexity," celebrating the depth of the material and the design process itself. 





Floral clock (wall-hang)
Ceramics, 2026
29cm x 29cm x 5cm 


Ultimately, these clocks are designed to do more than simply measure the hours; they are invitations to slow down. The delicate details require close inspection, while the visible, hand-pinched textures invite touch—grounding the viewer in a sensory ritual. Just as the making process brings me into a state of flow, the final objects encourage the audience to pause, linger, and inhabit the richness of the present moment.



























profile
Bio


mimi.objects@gmail.com


Ig:@mimi_objects
Mimi He is a Toronto-based ceramic artist and a graduate of the Bachelor of Craft and Design program at Sheridan College. Her practice focuses on hand-built functional design objects that balance aesthetic beauty with an everyday philosophy of living. Utilizing slow, rhythmic coiling and pinching techniques, she creates sculptural, decorative pieces—or "lived companions"—designed to elevate modern domestic spaces.

In addition to her studio practice, Mimi is a dedicated educator and advocate for craft. She teaches pottery through ongoing classes at local community studios, as well as private workshops and one-on-one sessions. She also works as a studio technician, sharing her technical knowledge and supporting the day-to-day operations of community ceramic spaces. Through these roles, she fosters creative learning, skill development, and knowledge-sharing within Toronto’s ceramic arts community.





Education
Sheridan college - BA of Craft and Design, the ceramics. 


Exhibitions
‘Audex8’ at the Gardiner museum, Toronto, Canada - 2021
‘Public Huddle’at CAPSUL studio, Toronto, Canada - 2023 
‘Ceramic Pop up’at Carbonic coffee, Toronto, Canada - 2023
‘Artist in the city,NEW CURRENCY PRESENTS REDITIONS, Toronto, Canada - 2024
Group show at COLLECTIBLE fair at WSA, New york city, U.S - 2024
‘the object boutique’,at COLLECTIBLE fair, at WSA, New york city, U.S - 2025


Awards/GrantsMarket Development Travel 2025-2026
OAC (Ontario Art Council )


Press
Interview:The Object Boutique @Pale blue magazine - 2026

https://palebluemagazine.com/the-object-boutique/ 








Last Updated 24.10.31




Samples (testiles)

Glazed stoneware, 2023


Blue flux mug
2023

hand pinched, ceramics stoneware

designed for latte art. 



Cappucino mug
2023

hand pinched,ceramic stoneware

sand, seashells, water  



Crafted through the intimate art of hand-pinching, this collection of ceramic tableware embodies a profound exploration of my craftsmanship. Inspired by my passion for coffee, each piece is meticulously designed to complement various coffee types, from the rich depths of espresso to the frothy heights of cappuccino. Drawing from the textures and elements of nature – sand, water, and stones – the surfaces of these creations evoke a tactile connection to the earth.


Brown coffee mug
2023

hand pinched,ceramics 

intentionally thin, light weighted. 
Matte glazes on black stoneware.






Laced vase
2025

handpinched, ceramics 

porcelain and stoneware

lace dipped in porcelain,burnt away during firing.

The challenge is to create delicate, symmetrical shapes without using tools or machines, requiring patience and dedication. By exclusively hand-pinching each piece, a close bond forms between my hands and the clay, preserving the distinct marks of the crafting process. This collection isn't just about practical items; it's a voyage of artistic discovery and personal connection, inviting others to feel the tactile allure of handmade ceramics.






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